Cheap adapters are not machined precisely, so they don’t make up the flange focal distance accurately. To know what a Speedbooster or focal reducer is, and to learn about the Aputure LensRegain, watch this: Here are my suggestions, in order of preference: So you’re at a 24mm equivalent at best. IS is only an asset if you’re shooting handheld. These cookies do not store any personal information. Cheap adapters walk and talk like the real thing, but they’re ruining your experience in ways you won’t know until it’s too late. GoPro is the standard for 4K action cameras for good reason. Also, cheaply machined adapters don’t have the mechanics to support heavier metal lenses. 2.2 BEST 4K ACTION CAMERAS & DRONES GoPro HERO5 Session. The camera was running firmware 6.5. It’s just hollow inside. Don’t forget to watch my real-world review: Since this is a huge article I’ve made a menu: A “native” lens is one specifically designed for the Micro Four Thirds (MFT) system, and which allow the following: The four major brands that make electronic native lenses are: There are others, but only these four make lenses that autofocus for video. It is small and lightweight, and isn’t too shabby with autofocus. Try to get a lens with internal image stabilization, like the Panasonic OIS telephoto lenses. Not worth it, unless you have the lenses already. 4) voigtlander 17.5mm f0.95 Try to buy a couple because they are a pain to remove and screw on. Hope you found it useful! ... I’d love to see this done with a camera that can output both, like a Nikon Z 6II or Sigma fp. Don’t buy lenses on assumptions. But they are great value for money if you can’t afford anything else. The price difference isn’t that great so it’s not an issue. Most of the great movies you’ve seen in your life were shot on sensors the size of APS-C. (, Samyang/Rokinon 85mm f/1.4 Aspherical IF (, Samyang/Rokinon 100mm f/2.8 ED UMC Macro (. To be honest I would just stick to manual focus. Here’s a video I shot with such an adapter with a Fujian 25mm f/1.4 lens: Even though you can get good results, it’s not for everyday use. Important information regarding lens adapters: There are a few brands making adapters, and I’ve found one brand that consistently performs well is Metabones (Amazon, B&H). I just want to make the wise investment and get the best image qaulity that I can, Thank you Sareesh, this has narrowed down the broad range and I’ve settled on Panny LUMIX G X VARIO 12-35mm / F2.8 II. If you only had $300 or so for one lens, which would should you get? Thankfully, Nikon has hardly changed their SLR mount, and you’ll never have a shortage of lenses. You only get Single-point autofocus. Modern lenses don’t have aperture rings. The Blackmagic Pocket Cinema Camera 4K has a crop factor of about 1.9x. Faster autofocus performance – though this is not very useful for the BMPCC 6K. That’s why you see some adapters with their own ‘bases’ which help support the lens. Sony 1.4 lenses are awesome but too much for me to carry around when travelling. Hi – What about the Sigma art f/1.8 50-100 mm lens? Was thinking to buy the bmpcc 4k but only i have nikon full frame lenses. This lens will give you a 24-70mm 35mm equivalent, more than enough for most general purpose video work. But I’m hoping the Tamron 70-200 will eventually work. E.g., the Panasonic Varicam and Red cine cameras. Otherwise what is the point of shooting 6K? If you only had $600 or so for one lens, which would should you get? Canon makes different types of camera systems. We also use third-party cookies that help us analyze and understand how you use this website. Shot with the camera today and tried my Tamron 70-200, that works well on my Red and old production camera. Maybe, some 8mm lenses might work as well. These two things are essentially what a focal reducer does. Zoom lenses are all about convenience. The one major gotcha with zoom lenses is that most low end zoom lenses are not parfocal. You can also manually populate metadata with slate data such as project, scene number, take and special notes. With telephoto lenses accurate focus is critical. The construction is solid and designed for heavy use under many scenarios. Since these cine lenses were made for Super 16mm only the medium to telephoto range will completely cover the Micro Four Thirds sensor. Each focal reducer has its own aperture limit. Even if you’re using F lenses, like I am, you can set the adapter aperture to wide open and just use your lens instead. E.g., with the same 50mm lens, with the 1.9x crop factor you get 95mm. So there are lenses that will vignette on the Speed Booster. The aperture ring is de-clicked so you can smoothly ride the aperture during a shot. To be honest, at this price range and budget, you owe it to yourself to test both sets and see which one you like. It is mandatory to procure user consent prior to running these cookies on your website. Thanks for replying. Get the Panasonic 20mm f/1.7 II ASPH (Amazon, B&H). Do you have the patience to change primes for shots? What’s worse, each lens will behave a bit differently! But they have three disadvantages I can’t reconcile: This is just me, I’m not saying these lenses are bad or anything. I am into filmmaking mainly and I shortlisted a few lenses. Do you get continuous autofocus for video? True cine lenses should be color matched, so they cut well together. If you use a lens with a native aperture of f/0.7, you won’t get f/0.5. As we’ve seen in the previous chapter, there are wide angle lenses available for the Blackmagic Pocket Cinema Camera 4K, but not many. Not so sure whether to pair with adapter or native lenses, also the single focus for native lenses is the most features that i would like to have if i own this body…. It does two things, both seemingly miraculous: What numbers to look for in a Speed Booster or focal reducer. Wanted to see if I can find anything since u mentioned about Slr Magic lenses. The Speed Booster is a lens adapter, expect it has an optical element inside it. I’ve only listed new prices. The best standard range zoom is Panasonic Lumix G X Vario 12-35mm f/2.8 II ASPH (Amazon, B&H). Someone told me once a rental house in Chennai has them, so maybe you can make a few phone calls and find out. But not Super 16mm lenses, or lenses made for 1/2″ video sensors. Other brands I’ve heard good things of are Novoflex (Amazon, B&H) and Voigtlander (Amazon, B&H). With it you get a close angle of view and good aperture performance, so it’s worth it. They are for working professionals who earn money from their cameras, and who need the extra features a cine lens brings. They physics has a limit. Most people will be using the Blackmagic Pocket Cinema Camera 4K (Amazon, B&H) for run and gun or low budget film work. [New Version] SMALLRIG BMPCC 4K & 6K Cage for Blackmagic Design Pocket Cinema Camera 4K & 6K w/Cold Shoe, NATO Rail – 2203 4.8 out of 5 stars 414 $79.00 Thank you very much. Comparing lumix and SlrMagic, are there any obvious advantage to SlrMagic other than it’s shallow depth of field..? because of pricing and reviews I’m looking into them as well.. Buy them from Amazon, I find it’s usually safer and dependable. One key difference between the cine primes and cine zoom lenses are that the primes cover full frame cameras, while the zoom lenses are designed for APS-C and Super 35mm cameras. Just because the price is reasonable doesn’t mean it’s not the best choice. If you’re keen on focusing manually, you can also adapt other lenses from Nikon … The Blackmagic Pocket Cinema Camera 6K (Amazon, B&H) has an active EF mount. You simply don’t have the time to swap lenses often, or can’t afford more than one or two general lenses. Best. You will need to shave/saw them off (seriously, why bother?) The problem is once you set exposure and then zoom in, you’ll have to compensate by raising the ISO. This website uses cookies to improve your experience while you navigate through the website. It will give you a 70-200mm equivalent, great for any kind of telephoto work. Will it be usable & what will be the effective focal length? Great great comments and elaboration. I have reviewed these as part of my Panasonic GH5 review: The same problems apply though. First, you need to know what the flange focal distance is. It makes up for the flange focal distance. So you need some sort of adapter that comes between the lens and the camera. I’ll let Canon explain the difference: Many other manufacturers also provide cine cameras in the EF mount. favorite this post Jan 31 The Best Lenses for the Blackmagic Pocket Cinema Camera 4K, period. Very good information and summarize the details in short way. You do know EF and EF-S are the exact same mount, right? Better ergonomics. And the miracle part: It increases the light taking ability of the lens! By now you’ll have guessed, anything with a Leica on it (for Panasonic), or PRO (for Olympus) is top-notch. There is no continuous AF, so forget about all the goodness of Canon’s dual pixel AF. One way to circumvent this problem is to use a Speed Booster or focal reducer, though you are limited by how wide you can go. Lastly, adapters add bulk to your camera setup, and need to be supported underneath. I’m appreciate this great post. The Sumire lenses are almost twice the price. Not as wide as 50mm, but still good. Thanks in advance. The Tamron 17-50 works well, even IS. They were made for multiple sensor sizes. It’s like eating a fat-fueled diet all your life. Nikon F/G is the only mount that ticks all boxes: There are three kinds of adapters for the Nikon mount: I recommend the G to MFT adapter. I don’t think you can use EF-S lens on the bmpcc 6k have you done it. Here are the two relevant systems for the BMPCC 6K: To understand more about 35mm equivalent focal lengths, click here. You have to remember these cameras were still photography cameras, and they predominantly still are. It’s not a question of if, but by how much. The Veydra primes (Amazon, B&H) seem like a great option if you want a set of color-matched cine lenses that have standard front diameters and focus rings. All the lenses I’ve picked here have image stabilization (IS). Cine lenses are not cheap. Single-point autofocus (the Blackmagic Pocket Cinema Camera 4K (, Panasonic Leica DG Summilux 12mm f/1.4 ASPH. That’s great news. This makes it a great option for low light cinematography. What is different about them? Third-party lenses come in their own lens mounts. 2) olympus 12-40 f2.8 However, because Metabones was the first one out, and the one with the best pedigree, I recommend only Metabones (Amazon, B&H) – unless you are short of cash. I also like Nikon going for very high quality but compact 1.8 lenses. These are my suggestions for the Blackmagic Pocket Cinema Camera 6K (Amazon, B&H) for video and cinema work. So does this mean you can widen any lens and increase the aperture to zero? And more importantly, how much image quality are you willing to sacrifice for the benefits? If you could only have one lens shooting cinema and it had to be Voigtlander, which focal length would you buy? That’s just wide, not ultra-wide. Both lenses have the same fast aperture of f/0.95 and both lenses offer a 15-blade aperture diaphragm. So any 16mm lenses will work. ... good 4K video capture and top-notch autofocus for advanced and professional users. The Best Cine lenses for video. A couple of cine zoom lens to look out for: You can also adapt Bolex Super 16mm lenses. And there’s really no excuse for not having at least one prime because they also tend to be cheap without sacrificing quality. The Blackmagic Pocket Cinema Camera 4K (Amazon, B&H) has a crop factor of 2 in 4K mode and 4 in 120p HD windowed mode. Some lenses, especially zoom lenses, have protruding back elements that are designed for a larger flange focal distance. I will stick with prime lenses after reading this. The 35mm lens is 76.8mm (3″) x 103mm (4″) in size and weighs 755g (1.66lbs). Canon has zoom lenses that are in both the PL and EF mount (they were launched near to the CN-E prime set, so I don’t know why they were offered in the PL mount while the CN-E primes were not). To a beginner on a low budget this is important – especially for video where your shutter speeds tend to hover around 1/50s. If you’re going to run and gun it choose Panasonic lenses that also offer OIS. You could still pair it with a gimbal, but the there’s no way to control any function in the camera via a gimbal. Thank you I was looking for something like this ? That’s it for lenses! and model. The single greatest advantage prime lenses have in general is they can open wider than zooms. Just like photo lenses, you can get Canon-branded cine lenses and third-party cine lenses. (. I’ve heard great things about both options the Sigma and the Voigtlander’s. Have you worked with primes before? What are your views about SLRMAGIC LENSES? You can only use Super 16mm lenses if you’re happy with 1080p. It has a flange focal distance that makes it adaptable to even Canon cameras if the need ever arises in the future. If the adapter is not well made the lens might fit too tight or have play, both of which are undesirable. There might be exceptions to this, but they will so few and in the higher telephoto range, that it’s pointless to go after them unless you’re really after that. Any cookies that may not be particularly necessary for the website to function and is used specifically to collect user personal data via analytics, ads, other embedded contents are termed as non-necessary cookies. But you have the option of G lenses if you ever need it. You might want to get a 50mm (35mm equivalent) as your first general purpose lens, so you’re looking at something in the 25mm range. (, Panasonic Lumix G X Vario 35-100mm f/2.8 II POWER O.I.S. At that time, the money you didn’t spend will still be available. E.g., with Nikon G lenses, you get adapters with physical aperture rings that you must adjust manually: Some adapters allow you to autofocus with third-party lenses, though they never work as well as using native lenses. This means you don’t get the same amount of focus for an equivalent amount of turn. Some lenses have protruding elements at the back that might not interface correctly with the adapter. If you want to shoot 4K, then no, unfortunately. Full HD 1080p and HD 720p recording is also supported. Yes. Get this: Sigma 18-35mm f/1.8 Art (Amazon, B&H). on The Best Lenses for the Blackmagic Pocket Cinema Camera 6K, Important Quirks and Features of the Blackmagic Pocket Cinema Camera 6K for Video Shooters, How to Make Cinematic Videos with the BMPCC 6K and 4K Easily. This guide for the Blackmagic Pocket Cinema Camera 4K (Amazon, B&H) is only a starting point, from which you will hopefully continue to research and find what best suits your workflow. What about 100 to 400mm f5.6 mkii L series canon lens? Some cheap lenses even come with free adapters. Can you take still images with this camera, or is it possible to grab the fram? (Amazon, B&H). I’m going to recommend one must-have lens, which should probably be your first purchase. You can go down to f/0.95 if you wanted to! They offer decent image quality and construction, but still, I don’t see the value. 1) Lumix 12-35 f2.8 You can also use wireless follow focus systems standardized for this. We’ve already seen the 50mm equivalent options. But I’m in bangalore, the availability of voigtlander is pretty hard.. The size, shape and weights are very similar so you can swap lenses without readjusting balance on gimbals, steadicams, cranes, etc. But opting out of some of these cookies may have an effect on your browsing experience. SD. I learned so much from this. But the is is not working. No problem. There’s a limit to how wide you can go anyway, so the native lenses mentioned in the last article might be a better option overall. Full HD. Here are some ideas for you to ponder over: The bottom line is, you only buy the Speed Booster to adapt existing lenses that would otherwise go to waste. Get the Panasonic Lumix G X Vario 12-35mm f/2.8 Asph. Third-party zooms are usually made for full frame cameras, so are heavier. If you are sticking to zoom lenses, get the most expensive you can afford. I prefer Nikon lenses (Amazon, B&H), and if you have more money, then definitely Leica R primes. Canon cine lenses come in both primes and zooms. I would be lying if I said these lenses are in the same league as the others on this page. Some complain that the Voigtlander is a bit soft. As for primes, Canon makes two sets of cine lenses: *Some companies offer a conversion service from EF to PL convert it to PL at an additional cost. As of this writing there’s no information on what the “window-size” will be for 1080p120, but scaling the sensor as it is right now gives us a guesstimated size of about 8.85mm x 5mm, or an image circle of about 10mm. This category only includes cookies that ensures basic functionalities and security features of the website. So we’re effectively talking about using lenses designed for Super 16mm film on the Blackmagic Pocket Cinema Camera 4K (Amazon, B&H) with an adapter. HD. Cheaper lenses just don’t give you that. The only major drawback of these zoom lenses are that you can’t put standard screw-in filters on them. Therefore, any lens that works for Micro Four Thirds will work on the new Pocket Cinema Camera 4K. When should you pick prime lenses with manual focus? Would work great with a Speedbooster. The C-mount is a mount type (like Micro Four Thirds, EF, PL, etc.) We’ll look at the windowed mode in another article. The best online film school for serious filmmakers.
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